Cover Art

When I visited fellow blogger Andrew Leon over at StrangePegs yesterday, I had absolutely no idea that I was going to be treated to some fantastic art.  To clarify, he has an amazing looking cover for a manuscript he intends to publish that is not done by a professional artist (an artist who is known in the business for doing such things and charges who knows how much for it).  The author/artist who did Andrew's cover is Rusty Webb of The Blutonian Death Egg blog.

Just as a disclaimer, I want to say that I'm thinking Rusty's rates are pretty darn affordable and I suspect it has something to do with him being an ultra-nice guy.

Anyway...this got me to thinking about cover art and how important it is to have stuff on your cover that grabs the eye.   Let's take a look at a bunch of covers here:

First up is the cover for Andrew's work that is coming out.  

Okay...my gut reaction... Holy crap... I can't believe that this is a cover not put out by a Publishing House.

Here are the things that make my eyes spin:

1) The letters on the title are incredible. They are scary and draw my eye so effectively in that yellowish paint that I have to know what this story is about.

2) The ominous dark clouds behind the letters.  First it sets off the title beautifully. Second it scares the bejeezus out of me which I think is the reaction that one wants with this type of book.

3) The house looks lonely, forlorn, rundown, and well haunted.  And that makes it look terrifying. I'm thinking that this scene captures the exact essence of Halloween night. Wow.

Okay... Now I'm going to look at the cover for Rusty's own novella and comment about what I think of it.

First off...I've never been a fan of yellow but I think it works here.  I'm kind of in Michael Whelan's camp when it comes to the color yellow (he doesn't like it as a dominant color and neither do I).  However, yellow is loud...it screams... and that's exactly what I think is needed here and Rusty honed in upon it exactly.  Did I notice Rusty's brilliance when he debuted this cover? I thought it was pretty darn good, but not stunning like the one he did for Andrew.  So yeah, Andrew's cover is better in my opinion and is what prompted me to do this post.

Okay, next I'm going to look at a cover Patrick Dilloway designed on his blog for one of his self-published books.  Patrick is a hugely talented writer.  I read Where You Belong and gave it five stars.  But is he an artist? Hell no.  Take a looksee for yourself.

Patrick designed this cover for an upcoming project and it was one of two that we could kind of help him choose between on his blog.  Honestly though, a choice between this and the other is kind of like a choice between stale bread and a week-old biscuit. 

This is one of the reasons why I wanted a publisher. I had/have no talent to design a cover were I to self-publish.  Additionally, I don't really have a budget for it and I'm just going to say that this cover is kind of ugly.  I mean it's just a woman with a mask on looking down at her boobs and then the title sandwiched between her cleavage.  My thoughts when I saw this were, "If I self-publish, my cover will look like this and that just sucks."

Based exclusively off of this cover, I wouldn't buy this book. I know they say, "Don't judge a book by its cover," and I try not to, but yeah...it's hard to do.  I hope that Patrick goes with another cover or get's Rusty to do one (I strongly urge him to speak with Rusty).

Here's the cover for Where You Belong.  Same thing is going on here.  The book has so many awesome characters, so many cool scenes, locations from Arizona to New York, to Las Vegas to the frickin' Grand Canyon.  And the two men and one woman that are spoken of prominently in this book are absolutely drop-dead gorgeous.  So what kind of cover do we get?  Boring.

Yes, that's a coat hanger and a window and some sunlight and some faded curtains.  O.o

I don't really know what I'm supposed to feel when I look at this cover.  Maybe that Where You Belong deserves a better cover treatment than this.  Again, I urge Mutt to speak with Rusty Webb about this...like today.

Maybe he could qualify for a blog buddy discount or something.

Next up is Cindy Borgne the sci-fi authoress that brought us Vallar.  I loved Vallar...it's a damned good read (she's winning awards for it so I'm not the only one that thinks so) and her cover art is way better than Patrick's but not as good as Rusty's. 

I like this, but as I study it, the look is really computer generated.  I guess that's the way people do things these days.  However, this is way better than her first cover art. I don't want to offend her original cover artist but the original was just some red mountains, a stealth bomber, and a boy's ghostly face.  None of the elements really worked for me but I quickly moved past that and just read the book.  This at left...very eye catching and I like it.  But again...not as good as one done by Rusty Webb.

I love cover art. I possess two books by Michael Whelan that feature his incredible cover art and I've read the pages over and over to listen to his wisdom.  He, in my opinion, is the greatest cover artist to have ever lived and he's been lauded with Hugos galore, etc.  His paintings are worth hundreds of thousands of dollars and when he passes, which unfortunately could happen any day, the originals will be worth millions of dollars and I will probably weep.

Michael Whelan has many things to say about cover art...he doesn't like the digital age, but most importantly, he stresses the need for the cover art to reflect the soul of the writer and he uses symbolism in all of his paintings.  I'm going to put some covers here so you can see what I'm talking about.

At left is the artist himself painting a picture of his daughter.  He does everything with paints...from watercolor, to acrylics, to oils.  Mostly though, he works in acrylic.  What a master of his craft.  Sigh.

I had a dream once when I was much younger that I wanted to meet Mr. Whelan and have him do a cover for a book I wrote. I know that will never happen.

The shape of Arkady's legs is meant to echo the fallen towers of Isaac Asimov's book.

He went with the ruins of a flying city to go against the grain of the flying city being so common in science-fiction.

Two books, The Snow Queen, and the Summer Queen.  Each symbol in the hats relates to something that happens in the book.  There is nothing present in the pictures that is not essential or at least covered in some part in the novel.  Pretty cool huh?

Anyway, this ends my post on cover art.  I hope you enjoyed it.

Review of A Dead God's Wrath :)

A Dead God's Wrath was a delightful little gem I purchased from the Amazon Kindle store and read on my iPad in one hour.  It is by author Rusty Webb and you can find him at his blog The Blutonian Death Egg.

Here's the blurb from the jacket:

In 1895, deep in the Southeastern U.S., a sleepy little town is home to one of the most violent criminal families in the country. When Thomas O’Brien witnesses the brutal murder of his best friend and the kidnapping of his beloved Mary at the hands of the O’Malley brothers he thinks things can’t possibly get any worse.

But when a mysterious stranger shows up to help, Thomas begins to suspect this man is more than he seems. This stranger pledges to help bring Mary safely back from the O’Malley brothers, no matter the cost.

Tom’s real nightmare is about to begin.

Okay, so you might ask, what made this read so special?

1) It's incredibly well written.  Here's a sample of the prose:  A glint of steel flashed as Charles pulled a large machete from a scabbard hidden inside his coat.  He struck hard and sliced through burned flesh all the way down to Peter's bone--nearly removing the man's arm.  I don't know about you...but that's damned good writing. It's riveting. It's not choked with unnecessary adverbs.  It flows well.  I loved it.

2) Rusty gets big kudos for originality. As a sci-fi novelette, the setting is a western with glimpses of some other world in gadgets, hints, mythology.  Rusty knows how to keep you from knowing everything and you are continually guessing at what is going on.

3) Pacing. It's dead on perfect.  The novella starts with "Thomas O'Brien rode his horse as hard as he dared, and narrowly avoided disaster when his pull cart bounced and nearly tipped during his race into town."  That sense of chaos...that sense of angst you get from this opening line--it stays with you during the entire read.

4) Voice.  Rusty captures the feel of the old west in his narrator. He uses first and last names.  This is how he describes Mary:  "And his precious mary--dainty, feminine, Mary--still a few good meals away from a hundred pounds, she lashed out like a wild bear."  Wow...I mean this puts you into that period.  Who describes someone as being a few good meals away from a hundred pounds?  I'd be tempted to say, "She weighed 95-pounds." which would be kind of boring, right?  But I don't have the voice of a western in me--Rusty does.  I can tell that he's read quite a few.

I give this five stars.  If I were to ask Rusty what is more difficult to write, a novella or a full-blown novel, I wonder what he would say.  I would struggle to tell an interesting story in so few words. But Rusty knows how to do it and knows how to pull it off.

This book is .99 cents on Amazon Kindle and is worth every penny.

Here's the link.

Thank you Rusty for the wonderful story :).