Thank you Stephen Colbert for pushing forward George R.R. Martin's wish for a Chronicles of Amber adaptation.

I learned this week from the fantasy and science fiction news cycle that George R.R. Martin and Stephen Colbert have joined forces to bring Roger Zelazny's Chronicles of Amber to the small screen. I can't tell you how excited and happy I am to hear this, and I do realize they could royally screw up the story. But even with those caveats in plain sight, the fact that someone with the kind of clout like these two are urging an adaptation of this incredible story gave me that tingling feeling I get when I'm dangerously close to wanting to overhype something. So, going forward, I'll try to keep my enthusiasm in check. However, I'm definitely doing happy dances.

If you haven't read the Chronicles of Amber I do recommend them. However, they are classic fantasy. I read a lot, and the fantasy of today is a far cry from the classic stuff of Zelazny's era. Zelazny's original story did not have a whole lot of diversity. It was filled with white characters and there was little to no queer representation at all. Everything was clearly straight and the women were for the most part serving the parts classically reserved for women: deceptive backstabbers or manipulators or love interests for men. This is in huge contrast to (for example) The House of Always by Jenn Lyons, which is the fourth book in her fantasy series. The fact that I'm four books deep into this thing should just answer the question: do you like it? Yes, I very much do. But it isn't for everyone. It is SOOO queer that I think a lot of people might have trouble understanding how weird Lyons' story actually gets (and boy does it depart from what might be considered "classically normal"). However, the story is not as good as Chronicles of Amber. The Chronicles of Amber have a story that still kind of blows my mind, even with all of the different magic systems that are invented by creative geniuses like Sanderson. Zelazny simply had a mind that soared.

Another thing that I love about The Chronicles of Amber is that Zelazny was a master of using every word. His books are short things: a couple hundred pages a piece, and plot and story is really the only thing that matters. This is in contrast to the gargantuan fantasies written today which are typically at lengths that make holding the books in your lap a difficult proposition. We're talking 600-pages to a thousand pages of words and words and words. Just being honest, I think that all of those words haven't done much to make a story better. All they do is serve as vehicles for personal character development (which does have its own merits).

In Jenn Lyons' story, she uses all of those pages to explain the extremely complicated sexualities of every character in the story, their belief systems, and their motivations and memories. She goes even further to circle back on these things by examining each and every character from a different point of view, head hopping back and forth between characters as new chapters unfold to go over the complex feelings they have for their various paramours in what amounts to an immortal polyamory scenario. So think hundreds of pages of feelings interspersed with occasional fantasy elements, monsters, and sorcery. But...I've come to discover that I kinda like all those pages of feelings. It serves to invest me in the character's growth, and growth is an attractive thing in a character. But I also know its not for everyone.

There are also elements of Zelazny's story which will inevitably draw comparisons to The Matrix, even though Zelazny's story is a lot older than that film. It is the fact that The Matrix was so good though that makes me think that Zelazny's story just might be the next biggest thing to hit in the fantasy genre when it finally shows up on the small screen. I do know they will have to update characters, and cast minorities. But I hope the bones will be there. I can definitely accept that even though my brain will crave a faithful adaptation. I'll totally be okay with an Idris Elba or similar casting for the main character Corwyn of Amber (or if they cast a black woman and still keep the name "Corwyn" and just say it is unisex I won't mind too much), and I won't ask any questions if Corwyn's brother, Random, is still weirdly a white dude even though their parents are the same. These things need to be done, and I get it. I'm still excited knowing all that. I just hope it gets a budget and treatment similar to Game of Thrones and House of the Dragon. If it does, I predict that younger audiences will really accept it, which is what needs to happen in order to get an adaptation of all five books.

Anyway, I guess we'll see what happens with it in the near future.

A Christmas week with Michael Whelan Day Three

"Z-World" courtesy of Michael Whelan. CLICK TO EMBIGGEN

In yesterday's post, I spoke of how Roger Zelazny died never realizing his dream of having a Whelan cover. Well he got his wish posthumously. This is the art piece that Michael got commissioned and finished for Zelazny and it has elements of all his stories (you can see Amber in the distance!). To save money, the publishing companies will have Michael do one painting and divide it up into several books. That's what they did with H.P. Lovecraft, paying Michael for only two huge paintings which I'm sure cost them probably several hundred thousand dollars a few decades ago.  I remember hearing at the time that DAW books blew all of their cover budget and could barely afford the two paintings for all six books. Even back then, Michael was a big deal, and he promised DAW that he'd make some incredible pieces of art that they could then divide up to accomplish their goal.

I have no idea what Michael charges now, but it's probably ten years of my current salary. If St. Martins can afford to pay Amanda Hocking $2 million to write some mermaid books, then to get someone like Whelan to do a cover is probably going to cost equally as much if not more. My guess is probably a couple million, minimum, per painting. Especially since he can just shrug and say, "I don't need you...I have as much money as I'll ever need to take care of my family and send my kids to school, etc." That's what I meant yesterday by the phrase "F U Money." It's a term I coined with my friend James to describe a turning point in a person's career where you choose your own destiny and could care less about outside forces (like the need to eat and have a place to sleep).

Consequently, I heard that these covers on the six books when arranged in order on the shelf, create the entire image that you see using the spines. That would be a cool effect. Be sure to embiggen and check out the details on all the pillars. That's why I chose this particular piece as a favorite. It showcases Michael's obsession with detail. Nothing is too small to be overlooked.

FACT: The only contemporary that Michael has been compared to is the artist H.R. Giger and vice-versa. They are completely different artists, but equally as great. I prefer Whelan to Giger myself. Giger scares me.