Showing posts with label Taika Waititi. Show all posts
Showing posts with label Taika Waititi. Show all posts

Wednesday, February 14, 2024

Our Flag Means Death may be canceled but it's still a wonderful show about the potential of community love and queer life.


So, Our Flag Means Death, which is a show that I liked, got itself canceled on Max. However, it did have a rather good ending with Stede and Ed (Blackbeard) shacking up together in what I presume will be that Inn/hotel that they've been floating as an idea they would pursue in the entirety of the last two seasons. Rumor is that Waititi may be shopping the series around, and that it "may" get picked up. But, it also is just fine with the episode count that it has. Our Flag Means Death was always just super ridiculous, which is what made it fun, and I wondered how long the writers could keep the gags coming. However, they never dropped the ball and just when I thought something was played out, they found a way to continue playing it out some more.

If you happen to be queer, there's a lot to love in Our Flag Means Death. It's the show that tried to take bloodthirsty, murderous, and thieving pirates and then inject into them the modern liberal values of respect, gender equality, reasonableness, creating safe places to express emotions, and treating each other with dignity. It was that utter contrast that got me invested in it in the first place. It was full of comedians who are very good at comedic timing. You had Leslie Jones as a murderous polygmist who runs a bar and has over a dozen husbands. She literally has a jar of noses she cuts off men that displease her, and it sits on her bar. Yet, she had this fun soft side where she got to act like a girl and just be treated to massages by her husband of the night. 

There was the actor who played Stede Bonnet, a rich aristocrat from England, who was bored with his life of silver spoons and who had a lovely wife, but what he really craved was a life at sea while getting shagged by a man. But you could never take the "aristocrat" out of Stede, so he hosted tea parties on his ship, which was meticulously clean, and was the captain of a pirate crew who were free to be who they really are with no judgment. So, you had gays loving on each other, baking cakes, and others crying out their traumas in emotional support groups on deck.

Most of these people were based on real-life folks who actually lived. And I was surprised to learn that there is evidence to suggest that Blackbeard and Stede actually did have a romance together. This is where life gets stranger than fiction. But for its lovely queer moments, Our Flag Means Death was also a freakshow of violence and death, albeit carried out in over-the-top performances that managed to stay charismatic to the very end. One such moment came when Izzy Hands died. This was a character I liked a lot that had a grotesque amputation earlier in season two (due to professing love for Blackbeard and Blackbeard being in a dark place due to breaking up with Stede). In the end, Our Flag Means Death was always a bittersweet show committed to portraying the full scope of queer life and identity. As a result, it attracted a fanbase that wasn't ashamed to let its freak flag fly. This show had an enormous amount of queer expression and characters of all stripes and flavors of queer. The fanbase which is mostly made of Gen Z peeps was not happy with Izzy's death due to many people identifying with that character really hard. 

Some of the comments made online that attacked this fanbase circled around the idea that LitRPG and isekai are both effectively centered around reassuring readers/viewers that their inability to cope with reality isn't a failing. Rather, you're just meant to live in the world of your favorite video game where everything is numbers, and you can control everything with your elite skills. Like seriously...these are comments from haters of Our Flag Means Death lobbed at the "modern snowflakes." It's dismissive in the sense that there are other generations of people who watched the show (I'm a Gen Xer) got invested in the characters, and many of us aren't afraid of conflict. Rather, it's just nice that there's a show about processing grief and finding community, which is at the heart of what made Our Flag Means Death a special thing. However, the first few episodes of Our Flag Means Death did not telegraph this well. It started as a black comedy similar to how The Orville got its start. Early on, people got killed, they made jokes about doing horrible crimes, and the romance side didn't really start until the last couple of episodes of the first season.

In the end, I loved Our Flag Means Death and while my favorites have always been Ed (Blackbeard) and Stede and their romantic arc, I came to appreciate the strong underlying through-line of the power of community, especially queer community, to save lives and give hope. Ed and Stede were comic protagonists in the most archetypal sense. They were flawed people who are facing a flawed world, who nevertheless will (ultimately) be able to create something better through the power of their love, because love is transformative. But Our Flag Means Death showed us so much about the transformative potential of "community" love, which the crew embraced, but which Ed and Stede weren't quite ready for. The character of Izzy (who fully embraced that transformative community love) ends up being the one that suffers. I understand why the story played out as it did, but it would have been nice if they had found a way to reconcile those powerful themes a little better than just killing off Izzy's character.

On Friday, I plan to write about All the Light We Cannot See. Until then, godspeed. 

Monday, April 25, 2022

Our Flag Means Death dares to tell a pirate story that no one has ever touched and it's incredible.


Our Flag Means Death
is a show on HBO Max that I absolutely loved. It's a queer pirate story told through the brilliant eye of Taika Waititi, who stars as Blackbeard in the first season. And I just want to emphasize that I loved this show even more as a gay viewer. After finishing the first season, and desperately wanting more, I realized something about modern queer representation. It's so rare that audiences who are interested in seeing it have essentially been trained to look for these tiny little clues of queer coding.

I mean...just think back to Disney celebrating its "First gay character" and then it's a guy dancing with another guy in the background or a line of dialogue that could easily be missed. It's like the glances between Finn and Poe in Star Wars...what do those glances mean? Or Dumbledore is gay...but it is mentioned (by the now shamed author) years after the original series in which she made her fame, and it has been printed and minted billions and there is literally nothing to lose.

This (of course) then clashes with tropes like the infamous bromance. This is a plot device where two dudes are shown to be close, often even using typical romance imagery, but they are never actually allowed to be in love because they're quick to push the "no homo!" panic button. "He's like a brother to me!" is the new "no homo" because it is ubiquitous today.

So, viewers like me experience a lot of queerbaiting as a result. If you are unfamiliar with this term, it's when a show/film/whatever is building up the expectation of a queer character being in there somewhere and then not delivering on that in a satisfying way (if at all). To be fair, it can happen a bit unintentionally, like when two actors have surprisingly amazing chemistry, and they're even up for something more to happen between their characters. But...then the writers refuse to do anything with it. In the meantime, you put a man and a woman next to each other, and that's pretty much all there is to the gazillion paper-thin hetero love stories.

Our Flag Means Death even went beyond this though. Not only did it show a complete homosexual love story between Blackbeard and Stede Bonnet (played by Rhys Darby), but it also allowed fat characters to be fat without that "being" their character or the butt of jokes. The show also had characters with speech impediments and other "often mocked" traits and behaviors. And the main characters were middle-aged men who just got to live in their emotions and express what they felt for each other.

And apparently, it's all based off a true story. If one researches the actual Stede Bonnet history, you'll find that it is surprisingly ample online and in history books, and the whole gay innuendo really leaps out between the cracks of the narrative. As people did back then (and they still do), the gay aspects are danced around and waved away, but there are clear subtext once you decide to look. Stede left his marriage due to a "mental issue," and he and Blackbeard did indeed share years of their lives together. They were clearly drawn to each other and each featured aspects that were admired by the other.

I was already a huge fan of Taika Waititi after Thor: Ragnarok and Jojo Rabbit. However, Our Flag Means Death came as a total surprise...like a present...from a legendary director that sees me and my community clearly enough and who has the guts to be extra as hell. The show is hilariously funny, and it is full to bursting with the kind of storytelling that one can feast on. If you are looking for something to watch, and you haven't heard about this one, I'd urge you to give it a try.

Advertisement 1