What's the big deal with the X-Men's Dark Phoenix Saga? Should you even care that its next up in the X-Men movie cycle?

The Dark Phoenix Saga of the X-Men comics happened in the seventies. People are still talking about it. Rather, comic book geeks are still talking about it, and they form the core (made up of mostly men and boys) of the support for comic books in general. And now, the Marvel movies are going to explore this sad tale of love, loss, and the power that corrupts. But some of you out there who watch "The Gifted" or "Legion" or any other offshoot byproduct staged in the X-Men universe might be wondering: what's the big deal? Why is this an even buzzworthy topic when we've seen "Days of Future Past" and have X-Men that can shoot destructive beams from their eyes, levitate metal objects, or take control of people with their minds. What makes Jean Grey so special aside from the fact that she tore stuff up in the terrible X-Men 3? Is Dark Phoenix just an excuse for Jean Grey to tear more stuff up? Does the destruction porn ever stop or are there new levels of destruction porn? These are all very good questions.

First off, before there was Jubilee, and Angel, and every "whatsits" character with porcupine quills popping out of their face, there were founding members of the X-Men: Charles Xavier and Jean Grey to name a very short list. Chris Claremont (who was a writer in the mid 70's) gave Jean Grey some greatly enhanced abilities. As a result, Jean Grey was far more powerful than anyone else on the team of X-people. If you haven't noticed, boys and guys who are nerds (this is a broad realization but it's true...please believe me) like hot chicks that can fight. Yes...it's a thing. They don't like Audrey Hepburn "elegant lady" types. They want (and have for decades) liked tough talking hot babes (who still shave their armpits and legs) but who know how to take a punch in high heels (Wonder Woman) while being "edgy" (Netflix Jessica Jones or a young Jessica Alba). Bonus points if the heroine has red hair. Yes...this is a thing. Please don't shoot the messenger. Call it a fetish if that makes any more sense. Nerds are just narcissists that haven't discovered "edgy" yet.

As a result of the increased power and the fact that Jean Grey fit all the stereotypes named above, she was a popular character. And adding to all of that power was the underlying mystery of where it was coming from. Claremont (to his brilliance) seeded the story run with hints that Jean's growing power was corrupting her. She was kind of falling under the influence of a malevolent entity. "The Dark Phoenix saga" is a chronicle of all of that drama. And for you writers out there, I also want to mention that the writing in this particular series was as solid as they come, the stakes were very high, and Jean Grey perished (which at the time was significant because comic book deaths were still a kind of novelty). So all of those things just fed into why this tale was so epic.

The drawing in these issues was incredible too. There was a George Perez-like attention to detail with every panel strewn with things that you just don't see in today's comic books. The story arc had no tie-ins either. It was nine issues with an extra large conclusion. Characters who are popular X-Men today made their first appearances in these issues and the Scott and Jean relationship is (of course) central to everything. Because of the Dark Phoenix saga, Scott (Cyclops) is haunted for years.

So yeah...The Dark Phoenix Saga was (and is) a big deal. I wonder if one movie is going to do it justice. My guess is...probably not. But when it eventually comes out, I'll see it anyway. There's so much good story there to mine that it seems like it would be impossible to mess up.

Deep Blue Sea has a sequel that's only nineteen years late. Hey better late than never.

In 1999, a movie called Deep Blue Sea came out. To anyone that knows me, I've got a complicated relationship with shark movies. It kind of all started with Jaws, because my mother took me to a movie that was popular in the U.S.A., and being from Japan, she didn't understand that it was inappropriate for a six-year-old. For the record, it scared her too. However, it gave me nightmares for years. I still remember the fountain of blood erupting from Quint's mouth when he slid down the deck to the destroyed stern where the shark started to chomp him up. That was pure (early) Steven Spielberg horror right there, and it got me very interested in the creatures (to the point of kind of a macabre fascination with them).

For a while in my college years, I contemplated being a marine biologist just to study sharks. That never panned out. But I do go out of my way to see most shark movies at least once. To date, none have been as entertaining as Jaws, but Deep Blue Sea was close. It's subject matter, i.e., increasing the intelligence of sharks to create a cure for Alzheimer's disease, was brilliant. L.L. Cool J as the cook was awesome too, especially when he could shift from terror to say...lecturing on the proper way to make an omelet. And then there was (of course) the scene where Samuel L. Jackson got eaten that came out of the blue right after a powerful and heroic monologue. That was one of the first movies that really destroyed the idea that "you can't kill the hero" by stomping on it with all fins on deck (pun intended). I only later pieced together that Samuel L. Jackson actually does die in a lot of his films, so that's a kind of an expectation now. Maybe in the future I'll do a blog post that highlights Samuel L. Jackson's top 10 deaths from Jurassic Park to Deep Blue Sea to Revenge of the Sith. The man (seriously) knows how to do an onscreen death.

So Deep Blue Sea is getting a sequel, and it doesn't have any people from the original cast. But it does feature angry "supra-genius" sharks (maybe stealing a clicky thing from Jurassic World) who appear to be hungry for man-flesh (borrowing a term from The Lord of the Rings). I've embedded the trailer below for your enjoyment, so you too can watch and see how SyFy plans to spend its hard-earned money.

Assorted musings I have regarding this sequel:

1) Was it always a Deep Blue Sequel or did it just get re-branded post-production? It makes me wonder, you know. I mean, the trailer seems to feature the same underwater base and roughly the same story. So...is this just a situation where they filmed a movie about intellisharks and then were like...oh yeah...there's another movie just like this one! Let's just make this a sequel!

2) It's January 2018 and I know we all swore that we'd never see another bad movie, but we will. And this is direct to video...so you know its potential to be really bad is far worse than something that gets a major release. I know there's people out there reading my words, salivating at the line, "direct to video." You must join me in this pilgrimage.

I really love this Black Panther concept art.

I found these pictures over at io9, and I really needed to share them because they are so beautiful. As someone who does drawing, I super duper admire artists that can just take a vision and run with it so completely (and so quickly). I'm slow at producing art. I've been working on one picture for months (admittedly on and off) and it just blows my mind at how someone can do all of this detail for a concept! I mean these aren't actual art pieces but meant to guide those who are putting a film together! Anyways, check them out below:

This piece is by artist Till Nowak and is called "Steptown"

This piece is by artist Drew Leung. It is called "Shuri's Lab."

"Palace Throne Room" by Till Nowak. He did the first piece above as well.

Adi Granov, the comics artist, did this one for some warriors of Wakanda.

The film opens the week of Valentine's day. I guess that's Marvel's way of throwing some love our way.

There are nine movies nominated for the academy award for best picture and I have seen only three. Time to get to work.

The Academy Awards are coming! Each year I strive to watch each movie that gets nominated for Best Picture. The nominees and my thoughts on them are as follows:

Call Me By Your Name: (WANT TO SEE) This is a movie I haven't seen, but I want to because everyone says it is a beautiful and poignant film. I tried to go when it first hit theaters here in Salt Lake City. It was showing in only one theater and people were pouring into the parking garage off the street in their cars to the point that I felt like I should just go another day (so I didn't even try). I do hate driving in traffic so there is that "phobia" to deal with in the big city of Salt Lake (a small city to true city lovers).

Darkest Hour: (WANT TO SEE) I haven't seen it, but Gary Oldman looks fantastic as Winston Churchill. So I'm interested.

Dunkirk: I loved this movie so much for its long takes and its simultaneous (well almost simultaneous) telling of three different storylines. In IMAX, this movie was incredible. Never before have I been so riveted by long takes nor taken in by a movie in which the names of main characters are essentially ignored for the sake of the story being told. This was a fascinating film.

Get Out: I'm not sure why this film got such incredible accolades, but it was entertaining. I think that its racist issues really captured what it feels like to be black (from what I've read) in America. I will never be able to understand those pervasive feelings. However, the film is pure horror once you realize what is really going on with the black bodies in the movie.

Lady Bird: (WANT TO SEE) I literally know nothing of this movie except for the fact that my friend Meg said that I must go and see it.

Phantom Thread: (WANT TO SEE) It has Daniel Day-Lewis in it. If I can watch him in the boring Lincoln, I should be able to watch him in this.

The Post: (WANT TO SEE) I like Spielberg, so it's on the "must view" list.

The Shape of Water: I saw this a few weeks ago, and I absolutely loved it. I felt that each main character represented me in some big way. Thank you, Guillermo del Toro, for sharing your visions with us. FUN FACT: I laughed out loud when my friend Jake walked out of it (he just can't handle the overt sex and was deeply offended by it). So (SPOILER ALERT) it has gratuitous unglamorous sex scenes in it.

Three Billboards Outside Ebbing, Missouri: (WANT TO SEE) I've no idea what this is about, but I'll hunt it down just so I can have an opinion about it.

So there are nine movies nominated for Best Picture, and I have only seen three of them. I'd like to star winnowing down that list. Hopefully, I'll have time to do it all.

Are stories that never end really made to last in popularity?

It must be my month to be quoting from Steven Spielberg, seeing as I quoted him in a post just last week.

I never thought I'd be saying this, but I'm getting tired of The Walking Dead. I was so into it for years, and now I just am kind of tired of these characters clashing with each other and the whole "zombie" thing. It's more or less an apathy of sorts that's settled in. It's weird because I thought that my fervor for all things zombie was unquenchable. And here's the thing: my malaise is visible in Star Wars too.

I'm not really excited for Star Wars: Rebels to return with all new episodes to finish out its story arc of getting the rebellion started and to cap off the series. I'm not really excited for episode 9, and I'm not really excited for "Solo," which is going to tell the backstory of Han Solo. Hmm. I'm also wondering if other people feel that way about things that never end. So far, the Marvel stuff has remained immune to the malaise. I'm super-excited for Avenger's: Infinity War and for The Black Panther.

But there's the argument that Star Wars is fundamentally different too. I mean, Star Wars is nothing without the "war" part...and maybe that's why it fails in my head. A war has a beginning and an ending and George Lucas told that story. These new films just destroyed the happy ending that we got in Return of the Jedi so that there could be more war. Presumably, it'd have to be a never-ending war or there's no more movies that could be made, right? Does anyone actually want to sit through movie after movie of a never-ending war? How fun is that? And what if Disney doesn't go in that direction? What if the war ends? Then what kinds of stories could you actually tell that are entertaining in the Star Wars universe without some kind of "big bad?" If there was such a story, why didn't they start telling it at the end of Return of the Jedi instead of creating the hot mess that is The Force Awakens?

It makes me wonder if stories that never end (are open-ended so that there can always be more story) are really made to last. If I'm at all a "canary in the coal mine" example of a person's tolerance, I'd say that in general, the answer is no. I'd say people appreciate endings, but then, I'd most likely be wrong. For example, have any of you heard of the Dr. Who, South Park, the Simpsons, and Supernatural on the CW? These four series are examples of one that seem to have no end to them, and they are immensely popular. So maybe there's something wrong with me in that I have some kind of upper threshold for consuming the same old stuff over and over again.

I don't know why I'm feeling this way about my staple of "junk food-esque" entertainment, but I am. Maybe, it's just the winter blues. Who knows?

Why do people focus so much on income inequality when the emotional and physical needs of millions of people are being ignored?

People in the United States are obsessed with righting the wrong of income inequality. Ask anyone who is destitute, and you will hear about all the suffering wrought by it. And just for the record, I agree 100%. Income inequality is a tremendous danger to society. It's wrong, and the solutions to it (if any) are very complicated. However, there's another ill in our society that I think is just as damaging that no one seems to care anything about: emotional and physical inequality.

You can pull up articles on the web if you'd like. Just google the term "touch deprivation" and you'll be led to a lot of scholarly articles that talk about how some old people, people who live alone, people who have no partners or never found "the one" or in the case of polyamory, a taste for multiple partners when all they wanted was a single person who would hold their hand in a movie. You will see that it's a huge growing problem in our collective society...this growing apart...this reluctance to touch another human being. Imagine what it is like to have no one willing to touch you for years at a time for whatever reasons. You go about your years eating food, sleeping alone, filling your days reading books or watching t.v., and no one cares. No one touches you. Ever. Someone might have a conversation with you...from six feet away. Someone might sit on the couch with you...with pillows arranged as armrests to keep a territorial bubble of "no touching." Imagine the awkwardness of asking a friend, "Hey...do you think I could get a hug?" Then seeing the discomfort in dudebro's eyes as he says awkwardly, "uh...sure...I guess..."

People might say, "Well it can't be harmful." But the studies done suggest otherwise because it adds tremendous discontent and misery into society that has dangerous ramifications. So people whine and scream all day long about how their financial needs are not getting met, yet they could care less that there are millions of people out there whose emotional and physical needs are also not getting met. I don't know if I have an answer as to why this is happening in society. Maybe people are growing afraid of others because touching the wrong person could label them "pariah." Maybe people are selfish, and they only want to touch those (and be touched by those) whom they find attractive. Maybe our society is so awesome at creating boundaries that we have effectively given everyone the tools they need to make impenetrable barriers between each other...you know...to protect everyone from harm. Maybe that's it...a pervasive fear that somehow, somewhere, someone will be harmed. Pack everyone in Styrofoam, kids included, NO TOUCHING! SCREAM IF YOU ARE TOUCHED!! #METOO even if the touch was a passing glance, a brief "skin on the elbow" thing.

Humans are gross and disgusting creatures. Maybe people have forgotten that, and they pretend that they are not a gross and disgusting creature and that somehow, by touching another human, the grossness might rub off on them. Maybe it's narcissism finally birthing it's terrible child: a society wherein we interact with one another through a screen instead of face to face. A screen is so much cleaner, it can be sanitized, and it can be free of dirt if one is willing. And the images can be photoshopped so that they are seen in only the best light. Maybe this is how the great civilizations fall...when they rise to the point that everyone thinks of themselves as too perfect to actually soil themselves with the possibility of another person's slight imperfections.

Again, I'm not sure what's happening culturally in America today. But I know it is happening because I talk to lonely old people every day (and those ages keep dropping to younger and younger folks) as a part of my job. Anyone else noticing this? Anyone else feeling physically and emotionally deprived?

Just a thought: maybe the people screaming about income inequality already have their emotional and physical needs met by persons in their lives. In this case, maybe the only "hole" in their lives is money. I hate to think of what this means: they probably don't care or even have the empathy to believe that someone else doesn't have it as rich as they do in that department. If someone doesn't have any empathy for another person's suffering, it sure does make it difficult to want to help them out. In that aspect, maybe we are all just screwed because no one is going to help anyone out at all.

Is Steven Spielberg the G.O.A.T.?

I had an interesting conversation at brunch this weekend. I asked the question: Is Steven Spielberg the greatest of all time? People immediately had lots of things they wanted to say on the topic. Others just shook there head, "No." I assume they said "No" so quickly because they reject the notion that any one person could be considered the G.O.A.T. of any field. Some people just reject the notion of exceptionalism. One person asked, "What is your criteria for measuring?"

I suppose my criteria consists of 1) box office haul, 2) awards and accolades, 3) how well-received and iconic the movies that he's made are, and 4) how much they have influenced culture over the years. For those of you who don't know too much about Steven Spielberg, a rundown of his film credits off the top of my head include the following (in no particular order):

1) Jaws
2) Close Encounters of the Third Kind
3) E.T.
4) Schindler's List
5) Raiders of the Lost Ark
6) The Color Purple
7) Jurassic Park
8) Minority Report
9) Saving Private Ryan

And even his box office bombs have some entertainment value to them. For example, in War of the Worlds I love seeing the scene where the train goes flying by and every cabin is on fire. That's a pretty emotionally packed scene. And then there's the scene in The Lost World where Julianne Moore falls onto some glass and it starts to crack. That scene sends chills through me every time I watch it. It's even better with surround sound.

One quote that Steven Spielberg said that stuck with me ever since I read it was, "Why pay a dollar for a bookmark? Why not use your dollar as a bookmark?" It's very simple, but it's a kind of window into his mind. He has a knack for looking at the obvious and then showing it to people in a way that most had never thought of, and maybe that's one reason (or one measure) of how we could arrive at the correct answer of someone being labeled "The Greatest of All Time."

Can they look beyond the obvious to find myriad ways and angles and flavors and perspectives to an old story?

Do you legitimately enjoy the directing? It's a good question, right? I mean...how cool was it in Jurassic Park when the impact tremor of the T-Rex made the water on the dashboard of the jeep begin to shimmer and jump? That was pure Spielberg.

And he's also the master of the long take (a single scene that's all in one shot that follows its actors around), which is a trick he uses that's virtually undetectable because he wants it to be that way. The effect is that he teleports you into another world. He didn't invent the shot, but it's fantastic for what it does for storytelling.

Look, for a guy that's seventy years old and has spent his entire career of 40 years making movies, I think that his resume kind of speaks for itself. A lot of his films are timeless. They've infused pop culture to ridiculous levels. I can think of half a dozen places where the bicycle in front of the moon (or something in front of the moon) has been copied. Jaws influences are everywhere from "Bad Hat Harry" film productions to "We need a bigger boat." Raiders of the Lost Ark has influenced everything from The Librarians to Tomb Raider.

The first season of Stranger Things was a love letter of sorts to Steven Spielberg and John Carpenter.

So is Steven Spielberg the Greatest of all Time? Is he the G.O.A.T.? I think he is. I'm curious as to what you think.

Is a vampire chronicles television show based on Anne Rice's books even a good idea?

It's possible that I have no limit for a vampire movie and/or television series. Upon learning that the Anne Rice Vampire chronicles are on their way to television via a pilot by Bryan Fuller, I got a little excited. The reason for this is that there was a time when Anne Rice was actually good. I started reading her work in high school. Interview with the Vampire, The Vampire Lestat, and Queen of the Damned were pretty amazing reads for me (at the time) and set my imagination afire. Before Rice, I hadn't really imagined that there could be something more to vampires than Dracula and Salem's lot. I never realized that they could be such "sexual" creatures. And yes, they were fresh monsters...not the stale "has-beens" that they've become today due to over-marketing and saturation of pop culture.

I was also an enormous fan of the mythology. I liked how Rice drew connections to a primal (and ancient) power that had its root in Egypt. The first time I met Akasha and Enkil in her books, and she described them as being carved from white alabaster, only alive, sitting in huge chairs, I was hooked. Then when Akasha drained Enkil to the point that it made him as transparent as glass, I just couldn't put the book down. It was kind of a "white walker" moment for me, and I just had to continue turning pages. I had to know more about these "gods," because there really wasn't any other word to describe them. They even had a kind of holy place/shrine that was really neat in its description. It's been ages since I've read these books, but I remember the pathways Rice described in the chamber that Lestat was sneaking around in.

I also appreciated the fact that Lestat was so homosexual. Anne Rice always treated us homo's with a nice touch, because she found the idea of gay sex to be quite arousing/erotic. Of course she always had the prettiest heroes. Lestat in the books (to hell with Tom Cruise) was a very attractive young man with blond hair and blue eyes...chosen by his vampire master because the golden hair would remind this boy of the sun and his blue eyes would echo the sky that he could never see again because he would be doomed to a land of night. Tom Cruise and Brad Pitt in my opinion were horribly miscast. As much as some people have said over the years that they liked the movie Interview With The Vampire, I really did not. I think I've seen it once and then caught snippets on t.v. here and there that I wasn't really that into and swiftly changed the channel. I do like the connections that I make with others though (who are fans of the books). My best friend Brad named a sourdough starter "Claudia." I smiled because I knew what it was a reference to almost immediately.

I pursued other Rice books of course, much to my chagrin. Tale of the Body Thief was terrible, and had such a different tone to it from the main vampire chronicles that I'd thought Anne Rice had lost her mind. But Memnoch the Devil killed any desire for me to pick up another Anne Rice book. Yes, it was just that awful and boring.

I feel a little sorry for Rice to be honest, and I think she's a decade or more too late. She had some super great ideas but got surpassed by so many other authors from Laurel K. Hamilton to the Sookie Stackhouse author to Twilight, that her story of "I want to shag a vampire; let me list the reasons..." is kind of lost on audiences at this point. Even though she was kind of the well-spring of all that, it's going to come across as cliche. And then there's shows that deal with vampires but are not vampire-based, which is probably how a series in the "Vampire Chronicles" is going to be. We've had Being Human, Midnight Texas, Preacher, Dracula, and the list goes on and on. There's dozens upon dozens of these kinds of knock-offs.

Hey...Fuller worked some magic with Hannibal (the television series), so maybe he can work some magic with Anne Rice's chronicles. I'll certainly be giving him the benefit of the doubt, but I won't be surprised if it fails.

At brunch this weekend I dropped the mic by saying that the Last Jedi was controversial.

Picture courtesy of this video cast HERE

My friend Meg holds a Sunday brunch. She loves to cook, and there's lots of opinionated people who attend said brunch. Sometimes they talk about breast pumps. At other times they talk about their own personal oppression or #metoo. This week I didn't realize that I'd dropped a bomb when I said, "The Last Jedi was a controversial film."

"How so?" asked Jessica. "I saw it with Tim, and I didn't like it but I don't like Star Wars." Tim just giggled. So I was put on the spot.

"Luke Skywalker was a great hero. He went from a no-nothing farm boy to the destroyer of the Death Star, he became a Jedi Knight, and he redeemed Darth Vader to the light side of the force. That act in itself was responsible for Emperor Palpatine's death at Darth Vader's hands...arguably the only person who could have done that in the entire galaxy. So he went from that to a fear-driven hermit who tried to kill his own nephew. People are upset."

"What?!?" piped in Shae (another guest at the brunch). "I don't get that! I saw the film too. Haven't people ever heard of PTSD? Veterans who went out and fought in wars return home, and they can't handle what they've seen and become crackpots and hermits? Has no one ever seen this, because I know I sure have!"

That's when I say, "Those strong feelings that you have about the film? That's what makes it controversial."

Shae continues to say, "I think people need to spend more time around veterans and appreciate the sacrifices they gave to our country. Then they wouldn't be so free to criticize a war hero like Luke Skywalker."

At which point I say, "Look...I get that the film resonated with you, but Star Wars is fiction. It's a space opera. They have explosions that make sound in outer space. They travel faster than light. There's a magical thing called 'The Force.' Maybe a realistic portrayal of PTSD as suffered by veterans who fought in wars is not what some audience members paid for when they bought a ticket."

This of course stuns Shae into silence. Voices around the table ask me, "Well how did you like it?" I say, "I didn't particularly care for it. The Last Jedi was a depressing film."

"Depressing because it's realistic?" someone asked.

"Maybe. I don't want my Star Wars to be realistic. I want to be swept away by plot holes and fantasy." That's my answer and I'm sticking to it.

Anyway, a dozen arguments ensue just on that one point, and there are many bones to pick with The Last Jedi. Another controversy? Rose. Apparently, she was "frumpy" for a hero and the romance between her and Finn was incredibly forced. A third controversy? How about Rey coming from nothing and no one.

Ladies and gentlemen...if you haven't heard...The Last Jedi is a controversial film.

Seriously...it is. It divided the fan base like Moses parted the Red Sea. And that's all I got to say about that.

Why does Peter Jackson's 2005 remake of King Kong not have a prequel?

I was watching King Kong this weekend, the Peter Jackson version, which is overly long yet asks of the viewer a ton of questions...and I started to think to myself why there is no prequel to this movie/story? Seriously. We live in an age where there are prequels to everything. There are prequels to the X-Men story started by Bryan Singer (both on television and in the movies). There are Star Wars prequels as everyone well knows, and there are prequels to Batman (Gotham anyone?) as well as one that's planned for Lord of the Rings (recently announced by Amazon if I understand the news correctly). Star Trek the original series? Check for prequel. Raiders of the Lost Arc? Yup. Young Indiana Jones.

Look...King Kong has an audience. There are all kinds of people who are into kaiju, and the huge gorilla story is a really good one. But just set your criticisms aside for a moment and think of the possibilities of good television ala Game of Thrones quality or some movie wherein the timeline of King Kong is rewound a thousand years and the following questions are answered:

1) Who built the wall before the island started to sink? What was this great civilization like? I doubt it had anything to do with the savages that lived there in the 1930's version of the film.

2) Was the civilization a stand alone or did it have competitors? Was the island part of a larger continent that sunk beneath the waves? Did it trade with other civilizations like Rome or China (which would have been great at the time)?

3) How cool would it be to see the whole lost world aspect brought to the screen? Maybe there's an explanation as to the effect that creates the permanent mist around the island. Maybe there's a reason why the compass goes haywire there.

When I think about the possibilities of unmined story that are the essence of King Kong, I think that it's tragic that no one is looking into a prequel for this stuff. In the least, it could be a really interesting segway into some Cthulhu-esque territory of Great Old Ones and strange cities populated by beings not from this dimension who built cities using geometry that was very non-euclidean. At the most, it could be a fantastic setting for stories that depict the rise and fall of a great empire trying to protect itself via magic and technology from gargantuan creatures some of whom they worship as gods.

Anyway...just an idea...one that I felt was worth sharing.

The Greatest Showman is a movie that I think will give you joy if you just allow it to hoodwink you into the musical story of P.T. Barnum.

For me, the surprising movie hit of December that seemed to come out of nowhere was The Greatest Showman. If you haven't seen it, the movie is remarkable on several levels, and for me and my friends that went with me (twice in fact) it's one of those "feel good" shows that just leaves you in a kind of wonder as you leave the theater. You can't help but want to talk about it, and if you happen to have a good sound system in your car, download the soundtrack to listen to on the drive home (I love you Spotify).

Reflecting on the whole experience, I suppose it is an apt tribute to the man that was P.T. Barnum. I know nothing of Barnum's actual life, except for a few quotes that are so famous that practically everyone has heard of them. "A Sucker's born every minute." That's one that I can think of right off the top of my head, and it wasn't in the film. However true or not true this telling of the circus showman is, I think its spirit was on point to what most of us feel about Barnum: that this rags to riches story is ultimately about what a guy can do who has legendary amounts of charisma and a way of seeing strangeness in a different light.

I recently became recaptured by the allure of the circus and carnival, because I picked up a copy of Something Wicked This Way Comes written by Ray Bradbury. Bradbury's language is incredible as he describes two main characters in the book and sets the stage for events to come:

"So the salesman jangled and clanged his huge leather kit in which oversized puzzles of ironmongery lay unseen but which his tongue conjured from door to door until he came at last to a lawn which was cut all wrong.
     No not the grass. The salesman lifted his gaze. But two boys, far up the gentle slope, lying on the grass. Of a like size and general shape, the boys sat carving twig whistles, talking of olden or future times, content with having left their fingerprints on every movable object in Green Town during summer past and their footprints on every open path between here and the lake and there and the river since school began."

Just read the above passage and you can't help but get sucked into the story. What does the salesman with all that ironmongery want with the boys? Where does he come from? What's his business in Green Town? And there's a bit of foreboding there too with the placement of the word "wrong."

P.T. Barnum says something in the movie that made me think of this passage in particular. While trying to secure a loan to start up his "museum of oddities" he tells the loan officer that people are fascinated with the macabre...with things that are "wrong." We tend to stare at them, and he's absolutely right. We still do. Think of the traffic that builds up on the interstate when someone gets into a fender bender...all the gapers and gawkers staring out the window to see if they can spot a dead body.

And ultimately, the salesman in Bradbury's iconic story was probably channeled from P.T. Barnum, or at least what we have all come to know of him as a kind of collective conscience. In one poignant scene talking to a woman with an incredible voice, Hugh Jackman says (as P.T. Barnum), "People come to my shows to get hoodwinked, but just once I'd like to offer them something real." In my opinion, that's what the movie does best. With songs that are definitely not from the era (they would feel perfect on stage at The Voice) and written/put together by the creative geniuses behind La La Land, I think that if you allow it, the movie is capable of hoodwinking anyone into believing that a musical set to modern pop songs is indeed the perfect medium to explore a showman's life. This is from elephants to trapeze artists and to the persecuted freaks who get into a fight with bigots that ends up being so awful, it ends up burning down the building in which they perform. I think this is at the root of the tremendous split on Rotten Tomatoes, which has the critic score for this film as low, yet the audience satisfaction score is high. It is the opposite of what you saw with The Last Jedi, and quite frankly, I enjoyed The Greatest Showman much much more. The Greatest Showman entertained me, whereas The Last Jedi left me feeling depressed.

The Greatest Showman is a movie that I think will give you joy if you just allow it to hoodwink you. And I think you should do just that and go and see it in theaters now. That is all :).

The January 2018 edition of The Insecure Writer's Support Group asks a soul-searching question of us writers.

Happy New Year everyone.

I hope that you all enjoyed the holidays. I'm going to try and refocus my efforts on my writing this year. And along with that theme comes the Insecure Writer's Support Group, and the January 2018 soul-searching question which is as follows:

What steps have you taken or plan to take to put a schedule in place for your writing and publishing?

I think I'm going to work on my edits for stuff that I feel has been mothballed due to all kinds of distractions in my real life. The schedule? Maybe every time that I blog, so three times a week on my computer for about an hour or so. I feel that if I get into this schedule, it may become habit forming (which is a good thing) and that I will progress through the projects I've piled up by chipping away at them slowly but steadily.

That's the hope at least.