Today is the first Wednesday in March of 2019, and that also makes it Insecure Writer's Support Group day. This is a blog fest that happens once a month (and has been a recurring event for many years now). Here's a link to their official BLOG that explains all about it. If you sign up, you'll get an opportunity to really connect with other writers out there.
March 6 Question: Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?
This is a real thinker. Historically, I've written a lot from the perspective of various protagonists because it seemed like the thing I was most comfortable in doing. Many of the books I read (while growing up) seemed to have this kind of structure to them. You got introduced to the hero, then the hero was presented with an opportunity of some kind, or a conflict of some kind, and you followed them along on their journey. Because it was so prevalent in fiction, I absorbed this as a means to tell my own story, and it's very straight forward.
But now that I'm older, and I've read books by George R.R. Martin, Thomas Harris, James S.A. Corey, and Richard K. Morgan (just to name a few), I've realized the power of telling a story from the anti-hero and antagonist point of view (or at least devoting as many chapters to their perspective as I do to the hero's perspective). The reason? It seems silly to me to insist on villains being all good or all evil, even though that's the diet of fiction I was pretty much raised on. People are only villains when they have motivations that are the opposite of whomever's point of view you are looking through to understand them. Increasingly, I find more value in discovering this, and a lot of the way I've been doing it (in some short stories I've written) is through the antagonist's perspective.
How a writer chooses to tell a story is just as important as the events of the story that take place. In other words, it's just as important as the plot. And by selecting different points of view than the traditional hero-first perspective, a writer can even retread tired old stories because this new point of view makes them all fresh again. So really, it's just another trick a writer can use to hone their craft.